Welcome to Woodland A.I. the next level of innovation expanding my visionary creativity into the vastness of the future

 

Title of painting: I am woodland A.I - I am Rainbow Thunderbird 14 x 22 inches

Good evening to each and everyone here @ Jacobson native art. Been a busy weekend getting new canvases prepped for my next creative cycle regarding my list of commissions and such. Feeling joyful and quite satisfied with these 2 new releases of my new indigenous art genre in woodland A.I. Once again it was very challenging to work with these smaller brushes and I did some experimentation in these pieces as well working with acrylic paint pens and found them to be a nice addition to working with smaller pieces. 

These were a whole lot of fun and I see so much creative potential in this new discovery. I love playing around with these interesting concepts and ideas. I feel myself being challenged and looking at my artistic process in a whole new dimension really. No doubt pushing the boundaries of the entire woodland school of art into the future. To tell you the truth, I can’t even look at regular woodland art anymore. I’ve found a completely new level for me and there’s no stopping my unlimited potential in how I can collaborate with this technology. For me, woodland A.I. stands for Anishanabe intelligence. It’s an incredible gift this new technology. From the Fire and Water spirits, those elementals creating through electricity and light. Blessing humanity with the ability to shift up the world game on planet Earth in ways that we can only imagine. So imagine we shall. I’ll continue to explore and expand my knowledge and artistic path by moving forward more in this direction as time passes. This new door will for sure be one of the highlights of my artistic legacy. 

Title of painting: Indigenous she is - forever she shall be. Size: 12 x 24 inches

Creating these works inspire me greatly and I love the energy I get to play with and imagine. It’s truly created a new hope in me as an artist. There’s just so much wickedness and darkness in the woodland school. Many fake artists and wanna be’s tryin their hardest to be a colonial something on the Canadian art scene. It’s really weird when you continue to decolonize. You get an inside view on how the big machine works. It’s fake light. Being in nature is a whole other ball game. It changes you. Your goals, dreams and desires, they change. That has been my experience. I’ve been in the woodland school art scene for 40 plus years now. I’ve seen it all. Pretty much what most are doing. I had to find a new level. I mastered the woodland style and I needed a new challenge. A new direction. A new art form. A new energy in woodland A.I. 

Enjoy these new paintings on unstretched canvas. I really had such a blast making these happen and here they are pushing the boundaries of indigenous art for future generations. With that I say chi-Miigwetch and all my relations. More to come…

Rainbow Thunderbird - MAJ 🌈🦅🌈

A fun and playful track by Hosh & 1979 feat Jalja. Track title: Midnight (the hanging tree)

Got to chill out with my friend Supaman and bless him with some new Woodland A.I. pieces @ Jacobson native art

 

Good evening to each and everyone and I just wanted to share some “good medicine” that I got to hang out and chill with a fellow brother and warrior for truth. He came up from the states and did a show in the Kootenay mountains of BC. We had a good time and I was honoured to bless him with a couple of limited editions on canvas from my Woodland A.I. series of Chiefs of the future # 3 and # 4. He was blown away with my creativity and felt honoured to bring these back home. Indeed it was and is good medicine for us both. Real recognizes real. 

Any how it was a night to remember and what better way for a couple of warriors for our people to make the connection and spend some time chillin. With much respects and a good heart I say chi-Miigwetch for the great visions and blessings for our combined futures…all my relations…

Rainbow Thunderbird - MAJ 🌈🦅🌈

Enjoy this track by my friend in SUPAMAN. Track title: Know better, do better.

It’s an end to an era for me, fuck the legacy of the dead pedophile artist in Norval Morrisseau and fuck the Canadian art scene…

 

Well folks, it’s been one hell of a journey as an indigenous artist for me and I’ve reached a crossroads with regard to my experiences. I simply cannot go on pretending that everything is ok and it’s all going to go away. This battle of exposing the truth has done me no favours. The delusion is so deep and grotesque that eventually one reaches their breaking point. The insanity of people trying to pretend that Morrisseau was some sort of hero and cultural icon is on most days an uphill battle. The depths of gross negligence and arrogance is simply too much and I’m just one person trying to stand up for the truth. I don’t have much support because most people don’t even know how to grasp what I’ve found. They don’t want to address it and I simply don’t have enough time or the resources to continue on. Fighting for the truth and trying to stand up with integrity and honesty slowly wears me down. It’s a lot like all the efforts I went through in fighting the art fraud. It’s tiring my heart and soul. I cannot trust any of these people associated with the Morrisseau estate. They are all fuckin liars and real scumbags. These people literally make me sick to my stomach. I see them for who they are but many don’t because they don’t know this story, my story. I’m beginning to sense that I really don’t matter…it’s a difficult reality and most of the time I feel like giving up. 

This is the colonial Canada in full effect where money and power are at its roots. Built on the genocide of my people. Mostly white Canadian colonizers who use their education and influence to deflect from the real stories as I’ve outlined and tried to share here. I’ve written emails, Facebook posts and articles doing my best to be honest and straightforward. I’ve had a few people who have sided with me and who stand in solidarity but not enough to help me continue the fight. It gets challenging because I feel I’m alone in this. I truly understand why those who have been sexually abused find it so hard to come forward. With no support and financial backing it gets really difficult to continue on. I also have lost my enthusiasm for art and in dealing with the Canadian art scene. It’s really fuckin gross to tell you the truth. On top of that I’m someone who suffers from a lifetime disability since 1998 with a chronic condition and on most days my symptoms get the best of me. I struggle with depression and ptsd. It’s beginning to effect my confidence in writing, spelling and numbers. I go through long pauses in my creativity and feel discouraged as an artist most of the time. I owe much of my suffering to the outright ignorance of white settler Canadian society. The gallery scene, the museums, the academics and art historians. All of them absolutely fuckin blind to the truth. 

This is the daily struggle and reality that I am faced with. Who wants to be apart of a system like this? I feel so betrayed by the whole thing. From giving years of my life to trying to find justice to eventually being completely let down by having to come to terms with so much wasted time, neglect, lack of support and denial of my truth. No wonder some people snap and go on a killing spree. I understand that now and although these thoughts have crossed my mind, I have to think of what’s best for my little boy. So I choose to try and find a way forward in this world of darkness and deceptions. Liars with money isn’t an easy thing to face. I don’t have many connections in the Canadian art scene because I simply cannot trust it. With bullshitters around the Morrisseau estate, the world of academia, lawyers and consultants, Canadian art galleries and such, it just takes a toll. 

I don’t want it no more. I don’t want to have to participate in a corrupt system as this. It’s just too fucked up and it’s become so big that it’s easy to get lost in it all. I’m done. I’m bowing out and will look for more smaller and intimate ways of moving forward and getting on with it. It certainly hasn’t been easy but at this point I’ve tried my very best to push through. Most of the people I’ve met around Morrisseau are total fuckin cowards. Most of them white settler colonizers. Believing the lies they are told because of the money involved, chasing the money, property and prestige. The foundations of colonial Canada. 

Any how I want to end this article with a statement of my truth. I fought the art fraud with this guy in Kevin hearn from the Canadian pop band in the Barenakedladies. He was someone I respected until I started speaking up about the historic sex crimes of Norval Morrisseau. The last thing I said to him after he said to me that I was speaking bad things about Norval was that I had to let him go as a friend. I couldn’t be friends with someone who was siding with my sexual abuser. He chose the dead pedophile artist. After everything I did for him, he chose that. That was really the last knife in the heart. He chose a lie and to not stand in solidarity with the real and painful truth. My truth. I’ve now found a total of 8 sexual assault victims. And where are they?

Fuckin nowhere to be found. Not a call, not a message, not an email. Nothing. It’s gross negligence and it’s absolutely phoney and fake in my books. I see now why the Creator removed them all from my life. They couldn’t be there for me in my darkest hour, they couldn’t extend me any grace because my truth would demolish their delusion. Morrisseau was a sex abuser of children. Of young men like myself at that time. They stand with that…I have chosen to stand alone…

Good bye…for now. Until we meet again. Miigwetch for everything and all my relations, 

Rainbow Thunderbird - MAJ 🌈🦅🌈

Check out this bizarre tribute by Kevin Hearn. In the end? What a disgrace in whom the true Norval Morrisseau really was…fuckin gross really 🤡

Continuing to expand my creativity and new innovation pushing the boundaries of the entire woodland school of art into the future…

 

Title of painting: All souls know who I am. (Tribute to our Creator) size: 48 x 72 inches

Good morning to everyone and a special thank you for all the appreciation and support that I get behind the scenes. Lots of people stand in solidarity with me and in a time where colonialism is still running rampant throughout Canada and in all our First Nations communities, we still continue moving forward a day at a time. We must and this has been the cornerstone of my daily spiritual walk. I communicate with our Creator each and every day. I seek its wisdom, truth and inspiration about how to walk as best I can while remaining truthful and transparent. This journey of life has not been easy by any means for many of you including myself but I feel that we eventually get to a place where Creator spirit is the only way moving forward. I came to a place within myself over 26 years ago where I truly surrendered to the Creator. That my way wasn’t working. That self power wasn’t enough. A spiritual experience. An utter transformation within the mind, body, heart and spirit. I haven’t had a drink since. 

It’s been an absolutely fascinating ride ever since. Like peeling away the layers and getting into the core of who you really are. A spectacular power that resides within. Creator consciousness or God consciousness as many religions of the world would say. Operating from this place is who I truly am. That doesn’t mean to stand back and just let life happen. My will is like a creative instrument. My inner force guided by principles. Much like being an agent of the Creators will. Being of service to others is where real growth and change takes place. Like that old saying: actions speak louder than words. 

Title: The divine elements of creation within the God mind. Size: 48 x 84 inches. 

I’m proud to walk my talk as best I can through this unique mindset and personal relationship with source. My culture obviously plays a major role and although I fall short at times, I continue to put one foot in front of the other. My spirit is steadfast and cannot be broken. I will not change my values to suit your needs. I will represent everything that I am. No excuses and no filter in being honest and genuine. I’m not governed by man in that sense. I am a warrior for truth and justice. My heart feels right about how I do things. Others may struggle with my levels, but rest assured I come to correct things. I come to shine the light. I am a knowledge keeper of this art form and I have a duty to my people to help shine the path forward. That is truly the standard here at Jacobson native art. 

Title of paintings: Chiefs of the future. (series 3 and series 4) Woodland A.I. 

My new indigenous art genre is the way into the future for me. An incredible new path filled with such wild imagination and creative innovation. I’m absolutely in love with it. It’s so transformative and moves the woodland school into the future like no one else. It’s that deadly to me and I’m so inspired by this new breath of fresh air. I just recieved 11 new image prompts and have drawn out 3 this weekend. I’ll post these soon as I’ll be making time for them next week. Still busy with commissions and designing new collections with little giant productions in Kaslo BC. We are looking forward to sharing new releases throughout 2025. In the meantime I’ll share more in the near future and thank you once again for being apart of my creative journey. More to come…all my relations, Rainbow Thunderbird - MAJ 🌈🦅🌈

Enjoy this peyote prayer song by Louie Gonnie called: Soldiers lament. 

Introducing our second edition of the Indigenous fine art box collection of the 4 seasons here @ Jacobson native art 2025

 SPRING EQUINOX of the 4 SEASONS 

Good morning to each and everyone and it is with great pride and joy that we introduce the second instalment of the Spring equinox of the 4 seasons with our indigenous art box collection. We have been absolutely delighted to cocreate with one another and little giant productions is quickly becoming the new standard regarding quality, detail and exquisite design. With Jacobson native art being the standard of some of the highest quality ever produced throughout the entire woodland school of art, we are thrilled to bring you this next collection. It is so vibrant and beautiful and I’m absolutely super happy with what we are developing and producing when it comes to my work. Stunning products and collections that offer brilliant quality and design layouts. This second season of spring equinox will be an edition of 250. 

Here’s what is contained in our second season, the Spring equinox:

First, a stunning 14 x 18 inch art box in incredible detail of the Spring equinox. The box comes with a magnetic hatch along with an artist bio and storyline to the work of art. 

Second: a 14 x 18 inch gallery stretched limited edition print on canvas of Spring equinox. Hand signed, titled and numbered of 250 edition. 

Third: A beautiful queen sized Sherpa blanket with the softest feel and materials. 

Fourth: A hardcover 11 x 8 inch of my Ojibway clans book by native northwest publishing. Hand signed by me. 

Fifth: A hand signed 8 x 10 inch art card with the story on back.

We are super excited to share this amazing new collection with you and our hope and vision is that you’ll be moved both in your heart and spirit to want to be apart of this. It’s a phenomenal energy and this opportunity is rare and unique in every sense. An honour for us to share in the power and transformation of the 4 seasons. If you have any further questions etc I’ll share the link to these collections at the bottom of this article. With that I say chi-Miigwetch to all of you and I look forward to sharing more exciting news and events in the coming days and weeks ahead. More to come so stay tuned…

All my relations, Rainbow Thunderbird - MAJ 🌈🦅🌈

LINK TO THE COLLECTION: 

https://www.littlegiantproductions.ca/jacobson-limited-editions.html

Sharing our latest collections with Sea gods and a peek into the authentic spirit of what motivates us here @ Jacobson native art

 

Title: Animal totems of the family clan. Size of each canvas: 24 x 36 inches

Good afternoon to each and everyone and once again it is an absolute pleasure to continue sharing the spectacular creativity we’ve got going on here @ Jacobson native art. All decisions and actions that we are taking are always in the best interests of our family and most importantly my son. Setting up the legacy with care, honesty and trust. Our brand is built on solid ground as we continue to trudge the road of happy destiny. We stand in solidarity with the great awakening that is taking shape across our lands. Truth and reconciliation is essential for all of us to learn and grow. Many across the country are beginning to wake up. Realizing that the history was built on crimes against humanity and genocide. That is the foundation of Canada. My efforts here are about reflecting this truth and looking for new plans of action moving forward. I’m fully dedicated to exposing everything I know and have learned. The future is in our hands and not that of the colonizer. I don’t identify as a Canadian, I identify as Anishanabe. It’s as plain and simple as that. 

Title: Harmonizing the 3 folds of destiny - the past, present & future. 18 x 36 inches

The journey continues to unfold for us as we discover these perplexing realities and experiences and look for new ways with regard to finding our way through. I’m super blessed to be in these positions that I am in. I believe that taking the course of actions that I am, the understanding and knowledge I’ve acquired will be most valuable to everything that I’ve got going on. There are things unfolding behind the scenes that will soon become massive public knowledge and awareness. As they say, the truth will set you free. The past, present and future are indeed filled with so much understanding and promise. Im excited and have so much to reveal. These next few articles that I’ve got in development will paint the story for the world to see. All in due time. 

Here are our latest designs being shared with our partners in Sea gods. These new paddle boards are stunning and I’m super excited to be able to share this new project. Having the ability to place my work in the hands of my fans and newcomers to my art is a fascinating process. I could easily make decisions to multiply myself in the corporate world but that’s not the path for me. It doesn’t turn me on. I prefer being hard to find and hard to get. Making limited editions and specialized collections. I’m not interested in the Canadian art gallery scene any longer. I don’t need it and personally find institutions to be cold, soulless and boring. I don’t chase fame or wanting to be a something in the art world. It’s a personal matter for me to be more hands on with my brand, skill level and talent. Sharing my work in more intimate settings and experiences. 

Enjoy these latest releases here @ Jacobson native art and I look forward to so much more in the coming weeks and months ahead. We’ve got several new collections coming and our partnership with little giant productions will have an exciting new chapter as we unveil the new grand opening of our second gallery launch here in the Kootenay mountains of BC. Trailblazing new creative energy and building an exciting future with our collaboration. Sea gods has been a wonderful new addition to building these relationships and we are happy with these results. So please feel free to stay tuned with what we’ve got going on and I’m glad to see so many visitors coming to our sites and feeling inspired with what we bring to the circle. With that I thank you and indeed there will be much more to come…

All my relations, Rainbow Thunderbird - MAJ 🌈🦅🌈

Enjoy this track by Stil & Bense feat. Lia Paris. Track: 4 lovers (original mix)

What’s new and coming down the creative pipeline here @ Jacobson native art in 2025

 

Pictured here: my art studio and boutique at Kunze gallery in Creston, BC

Pictured here: Our new gallery/studio space with Little giant productions in Kaslo, BC 

Good morning to everyone and once again it’s a privilege to share with you all some new and exciting events taking shape for us here @ Jacobson native art. Ever since I first came out here it was my destiny to build our home and family out here. I scouted out this place the Kootenay’s and absolutely fell in love with the vibe. The potential I saw back then was a total breath of fresh air. I had been living in Vancouver for nearly 15 years straight before my visit in 2015. I knew then that the whole reasoning about coming here was for me to build this next chapter in my life. My son was born in Nelson so that officially makes him a kootenay boy. We love it out here and find daily inspiration. The magnitude and power of nature spirit is  transformational on so many levels. With only a small sprinkle of human beings it’s the perfect setting for family growth and creative energy. Way less distractions and crazy people that you’ll find in every city. 

Big changes no doubt and life moves at a gentle and genuine pace. The relationships that we’ve been able to build here have been pretty awesome. I bring a totally new creative energy that many here have never seen. It’s like a fresh start to something I’ve been mastering for 40 years now as an artist. To carve out a new voice and spirit here in the Kootenay’s has been really refreshing. I’m done with city life. Chasing those stupid carrots out there trying to be a something. You just realize that by being here, those things aren’t that important. In fact out here? They don’t mean anything. None of that will save you from a grizzly attack, or being mauled by a cougar. Or being in the crosshairs of an avalanche. Nature kind of strips all the colonial bullshit away. It’s a beautiful thing to be freed from those desires. From those kinda wants. 

Pictured here: Kaslo BC. We lived here for 2 years before moving to Crawford bay

Things are moving along at a wonderful pace for me and my heart and spirit are joyful being here and having great people around me who want to create together for the benefit of all parties involved. The levels of honesty and transparency with these relationships is amazing. All my partners know exactly what’s up in my world. No secrets and no hiding. I think that’s why we work so well together. From my relationship with Kunze gallery and my incredible partnership with Little giant productions, we all have a solid foundation with one another. No bullshit or weirdness getting in the way. It’s solid gold energy. 

So indeed I’m feeling really happy about this new and exciting energy and we’ve got some more news to share. As many of you know I did a partnership with Sea gods paddle boards out in White rock, BC. It’s been a phenomenal success and we just closed a new deal with them for 2 more designs for 2025 and 2026. I’m feeling inspired and overjoyed as I try to make decisions about my work regarding how I can place it into people’s hands, into situations of them becoming more intimate and involved with my art. The ability to play in water and go out and experience a beautiful adventure with these boards is super dope energy. The boards are all limited editions as well so it’s not mass produced. Looking forward to sharing more of that with Sea gods. 

My fabric lines with northcottt fabrics are doing awesome and I’m getting to see so much creativity being produced out there it’s extraordinary and satisfying. From quilts, to clothing to wall hangings and footwear, it’s been a fascinating journey and the work being done by Quilts for survivors is phenomenal. I feel so privileged and honoured to be able to comfort residential school survivors through this initiative. Definitely one of the greatest highlights of my artistic career. Real meaningful work. The artistic journey is a deeply profound experience with many ups and downs but if you truly believe in yourself and what you do? It’s worth it. Even though the battles may be difficult and tragic sometimes we must continue to persevere and find our way through. Being an artist is like having a backstage pass to how it all works. Life itself is creative and it is in my opinion the original language. 

THE FUTURE IS HERE. THE FUTURE IS WOODLAND A.I. 

Woodland A.I. has been such a welcome new discovery for me and has no doubt given me new life, especially after all the fucked up darkness permeating throughout the current vibes of the woodland school of art. This new invention of mine not only inspires me deeply but bridges the gap between the past, present and future like no other creative process I’ve ever discovered. It’s incredible to be on the cutting edge of creative energy and power with this technology. I have definitely found my new voice with this art form and this new chapter will be my most important regarding my creative legacy. To be the first ever to do this feels pretty neat as well and most definitely separates me and defines me in my own light. I feel good about that. Woodland A.I. is definitely JACOBSON. 

I’ve got 11 new image prompts being prepared for me and I can’t wait to finally get them this weekend. My business partner in Luc @little giant productions is a big part of getting the images prepped so that I can infuse them onto canvases. From there I prep them with colour backgrounds,  design layouts and final paint applications. Coming up with indigenous art the world has never seen, that we only dreamed of doing. I mean, that’s how I truly feel about it. I see A.I. like my creative apprentice, it takes care of so much for me. It never whines or complains. It does what I tell it to do. And it usually gets it right better than I expected. It’s a brilliant edition to my creative process. So on that note we’ve got some exciting new things coming into manifestation and I look forward to sharing more as we continue to move forward. I’m grateful and thankful for all these wonderful new opportunities and creative paths. Life out here in the Kootenay mountains has been one of the greatest decisions of my entire life. I absolutely love it here. 

With more to come, all my relations, Rainbow Thunderbird - MAJ 🌈🦅🌈

Keeping an eye on things and in deep preparation as we move into 2025. Also, we introduce our new indigenous care packages @ Jacobson native art

 

Prompt: I see right through you. Image for new painting coming in 2025 Woodland A.I.

A special good morning to each and everyone and as they say we continue to rise each and every day facing the reality of life and all of the various situations and circumstances that we are all going through. Most of it good I would presume and also working out some the kinks we see and experience. Thus is the nature of life. Challenges come and go as we continue to explore the depths of the very nature of truth. Honesty. Self honesty being most important because that is how we ought to navigate life experience and in that, we fine tune the compass and we find our ways through. I’m in for the long haul. When it comes to being straight up and honest and having the courage to do so even in the face of difficulty, truth wins. 

There’s something to be said of true character and principles. Trying to be a better version of yourself than yesterday. To keep on believing in truth and justice. That over time, the keys to certain doors appear because through actions, we open up new and incredible opportunities. The universe is looking for the honest ones. The change agents who are willing to completely put themselves out there. I believe that I am one of those people. I cannot get rid of it. My spirit, my soul is compelled because I have a personal relationship to my Creator. To the one who is all knowledge and power. The foundation of my being. The light that feeds me. The inspiration I seek, to become a hollow bone so that Creator can use me. To channel the energy from this source. Not from man. Not even from my own self. True surrender. I try to practice this emptying of myself every morning before I start my day. 

That is how I get my clarity and inspiration each and every day. I start there. When things become overwhelming as things sometimes do, I turn it over to my Creator and seek the next inspiration or solution to the problem. A lot of the time it’s about being of service to another. That is truly what the backbone of this platform is all about. Telling it as it is, not how you may wanna hear it. Many prefer things to be sugarcoated and super easy to digest. I understand because I know it’s not easy to digest major big chunks of truth. I understand much much more after everything I’ve gone through around the woodland school of art and much of the darkness and deceit that it contains. The lengths of deception and ignorance has been beyond anything I could ever personally conceive of, myself. Such a disheartening journey on many levels as some of you may know and understand. 

Indeed it’s been one of the most craziest journeys I could have ever gone through and still find light at the end of the tunnel. There’s no question I have learned so much about what not to be. Seeing how some operate throughout the woodland school has been extremely disheartening and deeply embarrassing. A weakness so reckless and obtuse and that is just covered in utter gross negligence, will come to light when everything is said and done. I’ll be sharing more about that when the time comes. Patience is a virtue and taking the time to process everything in the right light takes delicacy and self compassion. 

In the meantime Kassondra and I came up with a new idea that we both love and enjoy called the Indigenous care package. We do these art auctions all the time and it’s a wonderful blessing for us to share the beauty of our culture and passion for native arts and education tools along with beautiful products. Many of these artists being friends of mine. I’ve been working with Native northwest for almost 25 years now and enjoy many talents throughout their creative roster. 

Living up in the isolation of these mountains where it’s difficult to live and the struggle of life is a super real thing up here, it’s cool to find unique ways of creating opportunities for us and others up here. We live in a remote community of only 350 souls. The winter here shuts this place down and our only access to small town city life is either Nelson or Creston, BC. With Nelson we cross the lake for 45 minutes via the ferry and drive in about 40 minutes or with Creston we drive for over an hour through the Kootenay mountains. During the open season with Kunze from May to October we are rolling there. We also just confirmed a new gallery space in downtown Kaslo on the main street with our business partner and  friend in Luc @ little giant productions. So things are lookin real nice with that. This region is very new to the woodland school so I can definitely carve out my impact here with relative ease and comfort. At my level many new comers to the art are blown away and really enjoy my quality and touch. 

So yes, on that note it’s super fun expanding the blueprint of Jacobson native art and giving masterful quality and execution at the highest of levels. I expect great things from myself and to constantly challenge myself in new creative visions with an ever increasing level of new innovation and inspiration. That my friends are the standards @ Jacobson native art. We bring the next level of what is new and exciting throughout the woodland school of art. With deep love and appreciation….

All my relations, Rainbow Thunderbird - MAJ 🌈🦅🌈

Every dog has his day. 😎

 

At some point in life, you simply have to speak in metaphors because of what is going on behind the scenes. No doubt they have gone too far with the lies, the betrayal, the deception. 

I look forward to the future in more ways than one. I will have my justice. I will walk through the final door…

All my relations and more to come @ Jacobson native art. 🌈🦅🌈

Let’s welcome 2025 with a bang! So, after 40 years of experience as a master in the woodland school of art: Here is an honest analysis of where things are at

 

Title: I am Anishanabe. Size: 48 x 72 inches

Good morning to each and everyone and like the title of the article says we are going to do a deep dive into the very fabric of the woodland art form and all of its triumphs and struggles and disasters. I’ve been privy to meeting just about everyone who does this art form in one way or another from the first generation to this current 5th generation. It’s been for the most part a very profound journey and experience and I’ve had the honour of mentoring dozens and dozens along the way. Like I mentioned I’m now 52 years old and have now hit the 40 year mark of being one of the top and highly sought after artists in this genre, the woodland school. When talking about the real fundamentals and techniques in the style from each generation to the next, I’d say many who know what’s up would say that I have one of the best eyes in it with perhaps the deepest and greatest knowledge base about it on the planet. Not saying any of that to boast, it’s just the reality and facts of being so involved with it for the last 40 years now. 

The woodland art form intrigued me right away when I was 12 years old in Hudson Ont. I was already drawing at that point but when I saw this native woodland painting that my dad gave his mom, my grandmother, it blew me away. I loved it. That you can see inside the animals. With fierce colours and inner details. I still remember it today, it was of an Indian man in his canoe with a bow and arrow hunting a moose in the bog of a small lake. Northwestern Ontario. My home lands. The very place I was born and raised. It impacted me that my dad would give his mom something so cool. I fell in love with the art form that very day. From that moment on I’ve been on one of the most profound journeys of being a true artist ever since. I love this art. I love as much as I love life itself. Growing up in alcoholism and seeing lots of violence as a child, this art gave me a new life. A new way to see the world. A new way to identify and to seek understanding in my indigenous identity. To reconcile within me these 2 very opposing lifestyles. My search for my culture and the healing from colonialism. That my very life experience at that time was to heal from these wounds and to try and put the pieces back together of this broken identity. Obviously at that time I didn’t fully understand the root causes of that brokenness which of course I now know to be the effects of genocide and assimilation. Super devastating to try and fuck up a race of people like that. 

I know there are tens of thousands who can relate with me about this reality and the challenges of trying to recover from this each and everyday. So yes, the art form has been instrumental for helping me to bridge the gap. As someone who is both native and white it has been a sort of walking in 2 worlds at the same time so to speak. I’ve been coming to terms with that my whole life and the real spirit of this art gave me this opportunity to put it all back together. Me. You. Us. The whole thing. Going through the good, the bad and the ugly. Like a true experiencer of life. Not afraid to dive deep into the ocean. To see things as they really are. In their true light regardless of how dark. And so it has been ever since. The hunt for knowledge and truth. Nature itself is like that. It’s honest. There’s no fuckin around. I respect that. It humbles me to tell you the truth. We learn so much about ourselves in the solitude of nature spirit. About her, Mother Earth and creation upon her. The vastness of wisdom from every generation unto the next. All of it. Meaningful. Masterful. The living beingness of it all. The true foundation and spirit of the woodland school of art. 

Not just traditional but also modern and contemporary. Even diving into the very future and contemplating worlds never before seen. Done in greater creative spirit and visualization, a truly new and advanced  evolution as we now see in what for me is most definitely the next level in the entire art form with my new genre in Woodland A.I. It’s absolutely fascinating and for me to be a living witness to all 5 generations and seeing what’s out there, I know what I’m doing is the next level. I’ll always  appreciate woodland art for the most part and I’ll be clear cut and honest about my thoughts and experiences of what I’ve learned and gone through. I must because I know that there is no one really keeping an eye on it as I am. I will continue to do so because after all it’s the right thing to do. I would say I am like a knowledge keeper of the entire woodland school. I’m 3rd generation, so I’ve got a very keen eye on the insides and outs. The who’s who and many of the up and comers along with some who are rotten bad apples. Culture vultures and unfortunately there are plenty to name and I’ll name some here no question about that. This is like an inventory of the woodland school, an examination of the stock in trade. What’s good, what’s promising and what is ass backwards and is totally fucked up. 

For me first and foremost I’d like to pay tribute to some of my all time favourites. Artists in whom I’ve always looked up to and admired in the woodland school of art or also known as Anishanabe art (in the words of the master Roy Thomas). I suppose I’ll start with Roy because after all it was he who was and who will always be, my chief mentor. The first woodland artist to ever interact with me. To actually spend some of his time with me to teach and instruct me on some of the fundamentals. That’s where I first learned how to actually hold the paintbrush right. That’s where I learned the fine art of clean line work and inlay detail. Roy had always said that I was a true natural. I had my own developing style and to stay original in that. He mentioned how this would be my own style in the art. I love that. That I could have my own voice in how I choose to develop. Like building my own designs and stories through learning from our past, present and future. 

To find my voice through each new painting. And that’s exactly how it’s gone down ever since. Working with him for a brief time during my teenage period was indeed helping to lay down the foundation that this was what I wanted to do for the rest of my life. To no doubt become one of the best to ever do it. To challenge myself and the greatness of others.And do it right. From a good place. Even when fighting darkness. Using the light, the spirit of the art to guide me through. I found sobriety for the last 26 years of my life. Like my mentor in Roy, I found my way out. I’m forever grateful. The next great master who surpassed many before him was and still is  Saul Williams. He’s next level. A true living legend and he probably doesn’t even care much about that. But true masters in the woodland school know full well that Saul is no doubt one of the greatest to ever do it. 

Others that I find in legendary category and status are Carl Ray, Jackson Beardy, Blake Debassige, Gelineau Fisher, Cecil Youngfox, Joshim Kakegamic, Brian Marion, Moses Amik Beaver, Jimi Oskineegish, Lloyd Kakepetum, David Williams, Leland Bell, Randy Trudeau, James Jacko, Gordon Fiddler, Rocky Fiddler, Roy Kakegamic and others from both the Kakepetum and Kakegamic clans with honourable mention to both Daphne Odjig and  Arthur Shilling as personal favourites. 

Over the last 75 years this art form has gone through many different transitions both absolutely phenomenal to horrifically pathetic. From true indigenous practitioners to white settler cultural appropriators who think they’re entitled to do so because it’s such a universal thing that anyone can do it. Not true to many of us who are actually native and try to practice our very culture through the art form. There’s something very weird about a white colonizer who thinks its god almighty ok to culturally appropriate from those poor Indians. They think it’s perfectly fine to financially prosper from someone else’s culture that they themselves, don’t even practice. That’s super weird in my view. It’s like taking up the space and place for indigenous artists to shine and grow, to prosper in the richness of our culture and in ways of Providing support for our families. Most in whom are all recovering from the effects of genocide and assimilation. The road for us First Nations is a 2 different worlds approach and experience. The Creator gave each culture and the races of mankind their own stories and teachings. Each their own historical and cultural approach. Something unique and different from all places upon the earth. 

The fundamentals of my culture are of course about welcoming and being a loving spirit. But also to stand up and be the warrior for truth, justice and honour. These are important teachings regarding authenticity and self truth. Knowing who you truly are and where you exactly come from. There is great importance for me regarding this as I often say you cannot know who you are unless to learn and understand where you come from. It’s true. Often we are taught in this world to be anything or anyone you want to be. The world media and social engineering tactics often projects these bizarre and twisted ideas of being some weird version of something else. Just not you, lord forbid. Lol…

I take the good with the bad. You have to nowadays. The reality is there are only 2 versions of reality going on here. One version is the truth, the other is the lie, the illusion. Choice is a beautiful thing and it can also be a curse. Like I see in many situations throughout the woodland school of art. There are many who live in the lie. Those who live in the false knowledge of life, of a fake reality. A form of mental insanity and denial. A lesser vibration and light. A state of weakness and fear. Because sooner or later the truth comes and hits the world like a freight train. Like it always has and like it always will. It’s the very nature of truth, hard and bitter and sometimes very difficult to digest. 

I have journeyed farther into the depths of the woodland school than any other artist before me. There is literally no one who even comes close. The knowledge level is different with me because I’m not afraid to go all the way right unto the end. To see the whole thing both in its beauty and ugliness. To truly understand the energy of this art movement one has to live it. Practice it. Struggle in it, master it, be a student in it, find new ways of exploration and innovation without being servile or scraping. We’ll get into that now. 

Most definitely one of the greatest upsets and discoveries was learning that Norval Morrisseau was indeed a sexual abuser, a predator. The fact that him and his gay handler in Gabe Vadas insulted me to such a level by trying to sexually touch my ass without my permission and in the wake and fall out of that, completely destroyed my love and appreciation for him, in Norval. For his art, his legacy, all the work I dedicated to that, all done in vein. In my hidden shame and embarrassment that for years, I had done something wrong. That I didn’t cooperate with their sick and twisted sexual agenda. To steal from me, my self worth and confidence, to embarrass my soul in such a way and to offend me in such a fuckin gross manner, it’s despicable. To plant that ugliness on me and to shame my spirit for just being my true and authentic self, a lovin dude that felt so honoured to be hanging out with Norval Morrisseau. The so-called grand shaman of the Anishanabe. Imagine that? In a fuckin wheelchair tooboot. 

Fuckin grossed me out and still to this day affects me. Like a cold and shitty memory of someone I thought was a cultural icon, a hero to my people. A living legend only to turn out like like P Diddy puff Gabe, trying to get a freak off. It’s really that pathetic and gross. That whole thing and experience destroyed any love I had left after the whole art fraud investigation. After exposing Lamont for the total piece of shit he was and will always be, it was and will always be a shattering reality of who Morrisseau was. Not only that, but I have absolutely solid witnesses who can testify to everything I’ve said. Forever going forward I will continue to share and expose these unsettling truths. I 100% believe that it’s absolutely nuts to prop up sexual abusers of children as cultural hero’s or icons. This is a major problem with regard to the cultural fabric of this country and it is with my whole heart and soul that this will change. I believe in real truth and reconciliation but before the reconciliation part happens, we must examine and bring forth the truth. This is how it’s going down. This is the will of our Creator.. Of our ancestors. And so it shall be…

Like I mentioned I’ve seen a lot of the good, the bad and the ugly throughout the woodland school. Let’s open the door on the list of known cultural appropriators and who they are. I don’t give 2 shits what the pedophile shaman told you in Morrisseau. For me, that shit is obsolete. Done. Toast. Bye bye. Night night. What he’s ever said is dead. I don’t trust in any of that no more. As we say “the delusion has been smashed”. 

White cultural appropriators in our woodland school of art:

1: Ritchie Sinclair (non native Morrisseau apprentice) 

2: Vasil woodland (European artist and appropriator)

3: Gabe Vadas (thinks he’s an actual Indian/Morrisseau art apprentice)

4: Daniel Pitchegigwaneh (claimed to be Morrisseau’s long lost son) 

5: Karl Burrows (I even like the guy) still appropriation

6: Mike Ormsby (fake pretendian paints in woodland) 

7: Zhaawano Giizhik (exposed as a fraud by ex girlfriend Simone McLeod)

8: James McCue (former apprentice to Morrisseau) appropriator 

9: Amanda PL (young white female) cultural appropriator

This gives a general overview of what to watch out for out there. None of it is authentic or any of that a true reflection of our culture through art. It’s weird is what it is. It’s cultural appropriation. They should look into their European history and find out what that means through their artistic expression. Focus on that. Find out where you come from and in that, who you are. Make sense? Exactly. 

This list is of what I call: THE WOODLAND WEEN-NUKS

At some point or another, these artists either got super weird with me or turned on me like a rattle snake. These poor chaps have lost their way.  Those who only cared about themselves, their own plans and desires…it’ll be shocking for many of them on what comes next. 

1: Norval Morrisseau (we already know why)

2: Wolf Morrisseau (heavily involved in the fraud)

3: Christian Morrisseau (heavily involved in the fraud)

4: Unfortunately David Morrisseau (majorly involved in the art fraud)

5: Eugene Morrisseau (involved in the fraud)

6: Benjamin Morrisseau (heavily involved in the fraud)

7: Bruce Morrisseau (involved in the fraud he confessed it) 

8: Jason Adair (steals my designs without permission)

9: Flake Angeconob (tried to help him I warned him about the stupidity of woodland pop)

10: Jackie Traverse (tried helping her career ended up getting weird)

11: Tom Tom Sinclair and his ol lady (got right fuckin weird even super ugly….yikes)

12: Patrick Paul (tried to help him, ended up being a weirdo)

13: Kurtis Staven (a pretendian I met in the Kootenay’s a real piece of shit of a human being)

I will also share who broke my heart and I had to choose to distance myself from them because they broke my trust. It’s sad that at the end of all of this it came to this. But this is my experience. This is my truth. This is my story and even though it has come to that, I have to share what’s in my heart. I have to be transparent and honest. I think it will help to finally bring some closure. 

1: John Zemanovich (sorry it didn’t work out, that we couldn’t find a way to heal. I tried…)

2: Kevin Hearn (sorry I had to let you go I hope you can now understand)

3: Jonathan Sommer (sorry it didn’t work out I tried being your friend. It just got fucked up)

4: Cory Dingle (unfortunately? You fucked with the wrong Indian. My hope for you in the future is that you’ll genuinely apologize to me when your heart and soul is ready. You forced my soul to act and stand up. There will be more to come….so stay tuned, guy.) 

On that note this brief synopsis of some of the highs and lows during my career should give you a rough idea as to the type of terrain I’ve had to walk through, navigate and deal with. Unfortunately not everyone you meet works out. Most of the time we are learning difficult lessons which sometimes puts us in the crosshairs of each other. Passion for the truth and a steadfast belief in justice will do that to you. I come to correct the lies and to stand up as a survivor of abuse that should have never ever happened to me. Things are going to change and I’m choosing to stand up for my own sense of justice. For my own story and the truth that lays within it. Indeed there will be much more to come. All my relations.

Rainbow Thunderbird - MAJ 🌈🦅🌈

A special shout out to this guy. The one who made it all happen in Dallas Thompson. My true brother who remained until the very end. The only one…

FROM HERE ON IN….I AM THE FUTURE. I AM WOODLAND A.I. ⚡️👽⚡️

Happy new year and a special happy birthday to our son Sagein Wisdom who just turned 7 years old. The light of my world…

 

Pictured here: My son Sagein on the Yamaha grizzly holding the sword of destiny 

Good morning to each and everyone and once again we wish you only the best here @ Jacobson native art and a warm welcome into 2025. Like I’ve shared it’s been an incredible year of creative innovation and collaboration. Giving birth to Woodland A.I. this year and transforming the future of indigenous art with this new visionary and cutting edge technology has been such a breath of new fresh air. It’s exhilarating in every sense of the word. My own discovery and invention. A new path forward for me as an artist. I look forward to seeing what happens next for sure. 

Took my boy up the mountain tonight and we did a night time drive on the ATV and had an absolute blast together. We hung out and played “swords of destiny” and “warriors of eternal power”. His current favourite game we made up together and he absolutely loves it. Brings him the best smiles and laughter. I’m so happy being his father. Our bond is the greatest gift I’ve ever known. I see Creator in him all the time. I call him my greatest teacher because that’s exactly what he is. He is so confident and playful. His mind is so fascinating and curious. He just turned 7 years old this month. The CEO of Jacobson native art. My pride and joy. A true privilege walking together side by side on this journey of life. Growing up deep in the Kootenay mountains of BC.(Sagein was born in Nelson so he’s a true Kootenay boy) We live in Mother Nature’s paradise. In the real perfection of it all. Where man is small and nature is grand. Where nature spirit is Alpha.

I’m in a really good place these days. I feel strong, healthy and deeply empowered. My creativity is growing by leaps and bounds and my potential in working with expanding woodland A.I. is simply off the charts. I get to bring into reality visions never before seen where the future becomes my playground. A place where unlimited possibilities can become manifest. It’s exciting energy. When it comes to being here in the Kootenay’s it has become one of my all time favourite places on earth. I absolutely love it here. Bigtime freedom. Big time wingspan. Lots of space to play. 

Here’s to incredible new changes coming forward in 2025. I’m truly blessed to be living the life I live each and everyday. The power of truth has changed me in ways that I feel I am prepared to handle just about anything moving forward. No fear. No hesitation. Being in full control of my self, my thoughts, feelings and actions. I’m ready to go. I’m ready for the future of 2025. Happy new year to you all and thank you for your trust and loyalty in always knowing that I come from the highest good…in love and light, all my relations.

Rainbow Thunderbird - MAJ 🌈🦅🌈

This one’s for my son. Happy birthday my boy. Dadda loves you eternally. Artist: Wilkinson and Becky Hill: Here for you 

The future of indigenous art is here. Welcome to Woodland A.I. (landscapes of the future) series 3 and series 4

 

Good morning to each and everyone and welcome to another midnight art session coming to a complete cycle. I’m feeling quite pleased with these next paintings on canvas. These landscapes of the future are absolutely fascinating and once again I think I pulled it off. They were super fun to do and I had to work with series 1 and 2 brushes which does get a little tricky. A bit like performing surgery. I’m truly thrilled with this new door I’ve opened with woodland A.I. It is next level visionary medicine and the innovation is simply off the charts. Im creating visions I’ve always dreamed of. Feeling a rebirth and rekindled creative spirit. I feel that as my new apprentice, A.I. affords me a whole new approach. It’s beautiful…

Title: Future landscapes (series 3) - wherever I go they honour my sovereignty. Size: 14 x 22 inches

Title: Future landscapes (series 4) - Medicine man mastering multi dimensional travel through anti-gravity technology. Size: 14 x 22 inches

Such a wonderful night spending it jamming to tunes and painting up a new creative storm. The energy is bliss. I’m super stoked and feeling truly inspired as an artist again. This collaboration with this cutting edge technology has absolutely transformed me. Has transformed the future of my art and my creative destiny. Miigwetch and stay tuned as there will be more to come….

All my relations, Rainbow Thunderbird - MAJ 🌈🦅🌈

Enjoy this track by Egotape. Track title: Not alone (berbetta remix)