Indeed it is true what they say that you cannot make a crooked bird fly straight. The hard truth and reality is just that. I’ve been watching this whole scene unfold for well over 20 years of investigation and expert research. I’ve unfortunately met them all around the legacy except for most of Morrisseau’s children, thank goodness. I have met David Morrisseau years ago who was sexually abused by his own father. Go ask David, apparently he tells just about everybody he meets. It’s common knowledge in the art circles around Toronto and lots of Indians know this. As a father myself it absolutely disgusts me that a fake legend like diddler Norval has done this to his own child, his own son. There are other victims and witnesses who have come forward since including myself. It’s the main reason why I suspect David has always been an outcast from his family. Why he was so heavily involved in the art fraud of his “Pedophile” fathers legacy. The exact same can be said of all of Norvals children. They all backed the black drybrush fakes that were spearheaded by convicted of art fraud and serial rapist in Gary Lamont from Thunder Bay Ont, an old dear friend of Norvals. This is the reality.
The truth is that there really is no one who is even willing or who can keep these crooked birds accountable. I am that individual and I hold this light with integrity because quite frankly I believe it is absolutely wrong to prop up sexual abusers of children as cultural icons. There are many who I know feel the very same way. It is difficult for many to realize this because they’ve been lied to by so many broken souls around the legacy of Norval Morrisseau. Hiding these stories from the general public. Those in academia and in hundreds of Canadian institutions being either in denial or simply haven’t done their research regarding these dark chapters in our history. We are in a period of truth and reconciliation, not hide and seek or denial. Here’s another example of many regarding this sick and twisted legacy of the pedophile Morrisseau:
Pictured here is a screen shot from the Norval Morrisseau estate Facebook page. The insanity of this feature post that they’ve released involves none other than Phil Cote, a suspected forger of Morrisseau’s art in the 1990’s and 2000’s through Maslak Mcleod gallery now permanently shut down out of Yorkville area in Toronto. They are making crooked decisions like this, including backing the cultural appropriation and deceptions of Buffy Saint Marie, (saying statements that ol Buffy shines like 16 suns...lol) saying as well that Christian Morrisseau was a genius when really Christian was also heavily involved in the forgery of his sexually abusing fathers art works and legacy. There are so many examples of just how sick and broken that old dying bird of the Morrisseau legacy has done. It’s disgusting. The whole fuckin thing. Here’s an example of a suspected Phil Cote fake sourced from Maslak mcleod:
Here’s the guy doing a talk at the church no less where he’ll give his bullshit interpretation of Morrisseau’s “man changing into crooked bird“ in downtown Toronto on this coming weekend. That’s how truly fucked up this legacy is. It’s a national shame and a total disgrace in the woodland school of art. Backwards Charlie as my father used to say. Any how this is the true nature of how I see this whole mess. The fraud behind the fraud. For me, that’s all this shit bag of a legacy will always be. A lie. A crooked bird that will never be able to fly straight. They’ll have to come to terms with this at some point. You cannot hide and deny the truth forever. People are waking up and are starting to realize that everything I have said about it has been straight up and honest. I will not let this continue to happen to another generation of innocent and trusting souls who wouldn’t know otherwise if it wasn’t for people like me. Willing to risk my future on behalf of the truth. Once you know? You know...
Miigwetch and all my relations,, Rainbow Thunderbird - MAJ ππ¦
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