Here @ Jacobson native art we dance, we paint, we create

 Good day to each and everyone. Ive been back in the studio working on my commissions. The energy is moving and I’m feeling good about getting back into the art. I’m a huge music fan as well and enjoy working while listening to 2 to 5 hour DJ sets by some of the worlds best innovators in electronic music. 

Progressive house with thick base lines, snappy tribal beats with epic layers and layers intelligently put together inspire me greatly. My dad was an ol disco boy in the 1970s. For me I grew up dancing and loving music. It’s no wonder this style of music inspires me so greatly. I love dancing as well and like my father, I ruled a few dance floors in my day. 

Any how, enjoy this profound DJ set from Ben Bohmer. As he creates this set flying in a hot air balloon over Turkey...absolutely fuckin stunning. Wishing you all blessings and take care out there...all my relations, MAJ 

Continuing to set the record straight @ Jacobson native art

Title of painting: Sacred prayers for our Mother Earth, 30 x 40 inches

Good evening to all of you who have found and continue to find me here at my new site. I am grateful for the ability to continue to move forward with regard to setting the record straight around the what, where, why, when, who and how of the current realities in our woodland school of art. There really isn’t anyone out there who is monitoring the situation with regard to the integrity of our art. 

When I began my journey of investigating the size and scope of the Morrisseau art fraud, I didn’t realize just how far I would have to go in digging for the truth. I spent hours and hours and hours researching hundreds and hundreds of artists throughout the woodland school. I studied various suspects and their own styles, inlay work, detailing and colour choices and black outline abilities. 

It was pertinent to get a profound grasp of the mechanics as I had to find those blueprints in the fakes. I think I’m one of the best in the entire world at it. I don’t think there is anyone out there who knows the school as well as I do. I carry the torch now. It’s just the way it is. I am a guardian for our art form. I didn’t choose this but over time, it happened. It became apparent that there was no one on my level about it. 

So I assume that I was appointed by the research, experience and knowledge along with Norval Morrisseau himself instructing me to please help him. I think I have and have done more than my fair share of putting myself out there in defence of the truth, of the authenticity of Norval Morrisseau’s art and legacy. 

Someone has to do it. To shine the light into the whole thing. That is my ability, that is my power. It has and continues to be an honor and privilege for me to do so. The amount of darkness and deceptions around the estate and legacy of Morrisseau is horrendous to say the least. I will continue to warrior up for my people the great and magnificent Anishanabe. We are the true legacy of these lands. We are the original people. We are the seeds they couldn’t destroy....all my relations....MAJ

The reality of the estate of Norval Morrisseau - fakes at Walmart

Good afternoon to each and everyone and a big thank you for all the support and appreciation for the truth and experiences I am honoured to share. I recently found this ad last week where this is what has become of Norval Morrisseau’s artistic legacy. That the public and these corporations are being deceived at such a level of disgrace. 

That people are exposed to these “black drybrush” sexual assault fake paintings spearheaded by the mastermind himself in Gary Lamont, a sexual serial rapist out of Thunder Bay Ontario, is atrocious. The fact that this particular wave has done so much damage is really beyond gross negligence by the entire estate of Morrisseau.

This is beyond embarrassing and it truly reflects why I left the scene in regards to helping the estate of Morrisseau any further. I have absolutely zero affiliations with anyone at the estate of Norval Morrisseau. Thank goodness. I have moved on. My guidance and persistence comes from protecting our culture and the authenticity of our art forms in the woodland school of art. I will continue to be a Shepard and guardian for these reasons. Because as you can see, relying on those at the estate to solve any of these problems has been the real issue at hand.

I am grateful that my capacity to reveal the facts continue to keep this sword of mine as sharp as ever. We will see what other actions take shape as the direct result of my efforts and those who were close to the story. There wouldn’t have been any police investigation if it wasn’t for those efforts of what it took in creating this story and launching the movie and the players who were involved. We are the core of setting the record straight. Not the estate of Norval Morrisseau. For those 0f us who were there, we anticipate a wide and sweeping change of the realities involving what is truly the biggest art fraud in both First Nations and Canadian history. 

More to come and please continue to stay tuned....all my relations, MAJ