New updates on the sexual predator Norval Morrisseau art fraud investigation and why honesty and full transparency matter

 

Pictured here: Canadian colonial lawyer, Nathan Gorham 

Good evening to each and everyone and I wanted to share some very pertinent information regarding the art fraud investigation and the struggles as an indigenous person in dealing with the Canadian legal system. 2 months ago I sent an email to the judge in the Jeff Cowan criminal case which will be back in Ontario superior court next week. I believe justice Laura Bird is a good hearted lady who is not being given the full disclosure around the reality of who the pedophile Norval Morrisseau really was. I simply cannot live in a world where secrecy, denial, lies and deceptions are the legal ways in which to protect historic sexual abusers as he has been exposed as. It’s disgraceful and I cannot trust this system to lead the way when it comes to truth and reconciliation. It takes people like myself to come forward and be a whistleblower and to continue exposing the truths that have been discovered. 

I have a hard time trusting lawyers. It’s difficult to put trust into these people who serve the crown which is guilty of genocide and crimes against humanity. Canada is still struggling with its own history and truths. They’ve been in denial for a really really long time and it’s challenging to be heard and understood when the history is so dark. Most settler Canadians can’t even come to terms with their history. The communication is so poor with all these lawyers involved and it’s truly difficult to navigate on how to move forward with no instructions or procedures in how to get this truth into the courts. So I had to take measures into my own hands. I contacted justice Laura bird with the hopes of sharing deeper truths about what I know and what happened to me and the other victims I’ve discovered. I would think that historic sex crimes would outweigh art fraud by a landslide but this is Canada, and this country is super slow in transparency and ultimately truth and reconciliation. 

I am sharing the affidavit I sent judge Laura Bird because I don’t know what else to do. I’ve been waiting and waiting for further instructions and I haven’t heard much from this lawyer in Nathan who represents his client in Jeff Cowan. It’s really weird dealing with this super fucked up energy. It’s like they expect me to have a crystal ball or something to that effect. It’s disgraceful. 

Any how this email chain should enlighten those around this case including the courts, the crown and the Canadian justice system. Protecting historic sexual abusers is wrong. This country needs to do a lot better than that. Silence is a form of complicity. It’s absolutely fuckin wrong to hide this truth from the Canadian public. The trust of the public in my experience and view is being manipulated by the deceptions of the Norval Morrisseau estate and there should be a criminal investigation into the entire estate itself. 

These are the email exchanges between Nathan and I first, as it will undoubtedly show that he contacted me and it was I that helped to educate him and to help point him in the right direction. I don’t understand why people would try to take credit for my service work and my good heartedness. That behaviour is unacceptable to me. Facts are facts and lawyers need to be more honest and transparent in how they’re getting their information. 

The emails:

The second emails: 

This is the email I sent to justice Laura Bird of Ontario superior court:

Here is the affidavit I attached for her and the courts:

This is part 2 of the affidavit sent:

I also wanted to share what A.I. wrote for me regarding the problems of lack of disclosure. Why it’s wrong for Canada and the trust of the Canadian public to be held in the dark about the real and true nature of who Norval Morrisseau was and will always be, a pathetic child sex abuser. Here’s what A.I. had to share: 

Why protecting historical sexual abusers is wrong

Protecting historical sexual abusers causes ongoing harm that doesn’t end when the abuse stops. It silences survivors, lets patterns of abuse continue, and tells communities that certain people are above accountability. When institutions, families, or leaders shield an abuser to preserve reputation, money, or power, they trade justice for comfort. That breaks trust and makes it harder for others to come forward, which allows more harm. Truth and accountability are how communities heal — without them, the damage compounds across generations.

Why it’s a legal problem when the truth isn’t exposed

From a legal standpoint, justice systems depend on facts being brought forward so courts can apply the law properly. When evidence of abuse is hidden, witnesses are pressured, or records are sealed without cause, it distorts the legal process. That undermines core principles like equality before the law, the right to a fair trial, and the public interest in preventing crime. If the legal system is being manipulated by keeping material facts out of view, it can’t function as intended. Courts, police, and regulators rely on full disclosure to make lawful decisions. Withholding or suppressing truth prevents victims from accessing remedies, prevents proper prosecution, and erodes public confidence that the law applies to everyone equally.

Miigwetch and more to come…Rainbow Thunderbird - MAJ 🌈🦅🌈

With Woodland A.I. I’m producing some of the most innovative indigenous art the world has ever seen. A next level in creative ingenuity…

 

Woodland A.I. Title: Natures tranquility. 2026

Good evening everyone and welcome to another exciting article of creative discoveries and experiments taking shape here @ Jacobson native art. I’m thrilled to be getting the technology in sync with my original works of art. I’ve also got over 15 new woodland a.i. paintings on the go and the development of my 4 masterpieces in birth, life, death and rebirth. The creative flow is in full swing and things are feeling beautiful here at the art studio. This first image turned out quite well. It’s got an amazing feeling and energy and the sunset looks absolutely stunning. I love how these environments don’t take away from my original work but compliment my structures and designs in a truly magnificent way. Natures tranquility turned out gorgeous in my view. 

Woodland A.I. Title: Honouring creation and the cycles of life. 2026

Once again I think this second work turned out awesome as well. The fusion of the water, tree line and sky looks absolutely stunning. The colour saturation is no doubt magical. I love how the environment feels like it’s apart of my original work. It’s hard to deny the levels of innovation being explored, but that’s exactly the creativity being shared here. Woodland A.I. is the next level in the entire movement of the woodland art form. I should know, I’ve seen over 4 decades of it through multiple generations and there’s no one touching this. That’s just how confident I feel about what I’m doing. Real creative exploration and innovation. 

Woodland A.I. Title: Nature spirits honouring the elementals. 2026

This 3rd work was actually going to be destroyed, obliterated but I decided to work with it to see if it could be saved. The major problem with A.I. regeneration is that it wants to override you almost every single time. It’s designed that way to generate images from scratch so to get it to hold back, with precise commands and instructions is actually quite difficult to do. This is why when doing what I do, I have to clean up many anomalies and little flaws that obstruct the viewer’s ability to appreciate what is being shown. I like clean energy in my work, adherence to my structure and colour balance along with deep colour saturations. These environments look beautiful in my view. I mean, it’s my art so I feel good about it. These will all be turned into limited edition prints on canvas along with new collections being built around them. It’s actually quite a monumental undertaking. 

The world of fabric lines I've created with Northcott fabrics is continuing to blossom and shine its own light as well. I’ve been super blessed with this experience as it’s given me an opportunity to have people from various cultures around the world a chance to work with my designs. I’ve seen some amazing new creations and have been gifted quilts and such by some amazing people out there. My whole family has a quilt each and it’s a beautiful energy to be able to share. Also, an honour to be apart of the work being done for residential school survivors and the 60’s scoop with Quilts for survivors. 

A special shout out to Thunder Bay Ont for appreciating my new indigenous art genre in Woodland A.I. I received a lot of support and orders for new works and several limited edition requests of the new art. That really made me feel happy. So ya, things are rolling along wonderfully and I’m feeling a lot of creative happiness and joy. I sure wish you all the very best as we continue to explore new realms and spheres of pushing indigenous art into the future…

More to come, Miigwetch…Rainbow Thunderbird - MAJ 🌈🦅🌈

Woodland A.I. (Anishanabe intelligence) is truly a new era in indigenous art, a new dawn of creative adaptability and cultural innovation @ Jacobson native art ❤️

 

Woodland A.I. Title: The great Thunderbird - protecting our children for future generations. 2026

Good evening to each and everyone and I sure hope all is working out for you in the highest good. Life is precious and I’m feeling super grateful for all the amazing new light my artistic adventures are taking me. I feel at ease and super comfortable in my creative process. I have no doubts whatsoever about this new direction in my creative practice. Woodland A.I. is a phenomenal new horizon, a brand new artistic genre in the world of making art. It’s filled with dreamlike landscapes, bright star lit atmospheres with vivid northern lights dancing across the sky. Tree lines and environment that literally put the woodland back into woodland art. A whole new door being shown on what’s possible and the potential for great masterworks being produced. These are an artists dreams coming true. To visualize my art in a whole new light feels like creative bliss…

Title: Life principles of the Sovereign integral. Vancouver B.C. 2005

Here is an original I did over 20 years ago. A special piece I did in honour of some alien technology that was buried here over 12,000 years ago. They called it: The ancient arrow project discovered in a top secret classified revelation. These entities called themselves the “wingmakers”, 23 discs were discovered along with paintings done in cave walls they called the chambers. Any how some of the worlds best decoders were involved and they were able to decipher 8,100 pages of data related to the discs and the paintings found in those chambers. I read the entire disclosure of all those documents and something very profound happened to me. Like a spiritual experience and opening of my consciousness in a way I had never even dreamed of. Super profound awakening. So the experiences being honoured in this original painting are absolutely life altering and transformative. To give this piece a new look, a new life through Woodland A.I. is super incredible for me. Here are 2 versions that I’ll be releasing as new limited editions on stretched canvas.

Woodland A.I. Title: Sovereign Anishanabe - gratitude for all the sunsets. 2026

This first remastered version will be the front cover image of a hard copy arts book on my life, art and legacy. We’ll be working on this project over the next 36 months so stay tuned for when that comes to fruition. Also this new creative opportunity to get my work on the world stage is in talks and negotiations and I’ve been hired as the artistic director of that project. Late 2028 will be a more likely target for that. 

Woodland A.I. Title: Sovereign Anishanabe - honouring the good morning sunrise. 2026

So yes, you can see as to why that if I’ve developed a whole new framework for my originals to be remastered and reinterpreted? As an artist why not explore and develop this whole new indigenous art genre and lens in the ways that I am doing, it only makes creative sense. That is how I feel about it. It is a new creative tool that shouldn’t replace art but through innovation and new approaches enhance the art and the creative process. I think that is really what my experience says up to this point. It makes my art better. I have no issue saying that. These are still my original blueprints and designs. It’s all “JACOBSON” in my view. Previous masterworks being remastered and reimagined in a fresh new light is super exciting energy. I am reaching new levels and there’s really no stopping it. I am overjoyed with artistic happiness and utter freedom to create. This new world I’m creating and indigenizing the future with my new art is trailblazing. It’s fun and super exciting…

More to come….Miigwetch, Rainbow Thunderbird - MAJ 🌈🦅🌈

Enjoy this track, crank it up…Mass digital - little things. ❤️

The pure innovation and ecstasy of Woodland A.I. redesigning and remastering my original paintings… 2026

 

Woodland A.I. Title: I was born to love Mother Earth. 2026

Good morning from deep in the Kootenay Mountains of B.C. and we are feeling the pure creative ecstasy of all these new releases being made and shared. My business partner in Luc @ little giant productions provides  over 20 years of knowledge and experience with photoshop and other various creative programs and is a master at what he does. Helping me to clean up the anomalies and flaws that come with these new works at times. It’s a huge asset for the creative portfolio here @ Jacobson native art. Luc has become quite familiar with my designs, their integrity and structures and his wisdom is a huge game changer for my process. He’s been working with my art for the last 7 plus years now and gets my nuances and attention to detail. It’s a deadly beautiful energy having bigtime expertise in my corner. We get a lot accomplished working side by side and the results are quite evident, we are producing magnificent art. 

This first design turned out smokin hot and feels so alive with cosmic energy and power. Yet also being grounded in the connection with Mother Earth. A deep fascination and appreciation for the oneness of it all. Knowing our inherent birthright as children of the earth. She is our great provider. That each of us are born to love her, our mother. The source of all life upon her. Masterful provisions. Eternal gratitude. 

Woodland A.I. Title: Mother nature’s serenity. 2026

The second example here titled Mother nature’s serenity is exactly just that. She is truly the great healer for all life upon her. Such a magnificent force of life and power. This piece speaks to that profound discovery of being wrapped up in her spirit and magic. This is exactly how it is for us up here. Tucked away deep in the mountains hidden from the brutality of the world. A safe haven to foster real growth for our son, each other and the evolving future of Woodland A.I. (Anishanabe intelligence). 

Just take in the power of the colour saturation and beautiful hues and tones. The colbolt blues,dioxazine purples, magenta’s etc. Absolutely striking almost too delicious to imagine yet there it is, your eyes and soul being shown something never before seen. Creative bliss. True magic. Flying and dancing on the planes of inspiration. Transcendental…

Woodland A.I. Title: Nature is true power. 2026

This 3rd work of art is truly in my view, at a masterly level. To reimagine my original paintings in such a profound new light is simply off the hook. I’m absolutely in a new groove and I look forward to making new art in such a fresh new vibe that I’m regaining my former happiness that was lost for a while. I’ve had to carry a dark weight and bring that to light as the trust of the public is something I consider deeply valuable and important. These new works are no doubt reestablishing my love for the woodland art form once again. Nature is true power is exactly what I’m hoping for when I merge my art with the technology. I get to reinvent and also preserve the integrity of my art from one generation to the next with all these new releases. A completely new take on my artistic legacy as a true master in this art form. Exciting energy…

My experience in viewing these works is best on a bigger screen. I use a 2025 iPad Pro and the bigger quality has a much different impact than the iPhone. I reckon size does matter in this particular department of visual enjoyment and fulfillment. These works of art I’m creating are no doubt on the frontier of creative innovation. Stay tuned as there will be much more to come…

Miigwetch, Rainbow Thunderbird - MAJ 🌈🦅🌈

Enjoy this classic track by Mory Kante. Yeke yeke (Hardfloor remix)

Explaining what you don’t see with regard to what it takes to create Woodland A.I. (Anishanabe intelligence) innovation through creative action…

 

Woodland A.I. Title: Life’s journey and its perseverance. 2026

Good morning and once again it’s an absolute pleasure to have this opportunity to share in new creative breakthroughs with this amazing new technology. I also wanted to express the layers of creativity being involved in this process and how my own original paintings can experience a whole new portal of reinvention and transformation. You have to have a true “masters eye” in understanding the creative process being infused with my Woodland A.I. I have this model fairly trained now on the precision of the instructions and prompts being designed. These pieces and this current direction of using many of my original paintings in my database have been perhaps a fresh new source of inspiration and being totally reinvigorated. 

The ability to co-create with the hierarchy of my original structures remaining intact and having such deep atmospheres and environments being created with them is super beautiful energy. The details and colour saturations of these landscapes and cosmic backgrounds are fascinating. Both A.I. and I agree that what I’m doing here is quite rare and unique. Most people rely on the technology to be the source of full inspiration to generate imagery from scratch. With my process its about strict adherence to my structures. The atmospheres are to compliment my original designs and to showcase that, rather then being overwhelmed with bizarre regeneration. As shown previously in an article I wrote, A.I. completely sucks doing woodland art on its own. 

I really love the feel of this first result being shared. The originals take many hours on canvas, many of them days to complete. I layer my colours 3 to 4 times each colour, my black lines all done twice over in acrylic paint along with all the inlay work and detail. All done 2 to 3 times over. It’s really what separates me from many before me is the absolute attention to clean lines and detail. You have to take into consideration the over 4 decades of actual living experience perfecting my blueprints in the art form. Woodland A.I. is a whole new animal, a whole new framework for my artistic imagination and creativity. I truly love and enjoy working with it so much. 

Woodland A.I. Title: Natures sacred environment. 2026

This second piece turned out very well and gives off a beautiful feeling and contemplation of just how marvellous Mother Earth and her creation truly are. The space above looking so vast and gorgeous is really a reflection of the magic and beauty of where we live up here in the Kootenay Mountains of B.C. It’s a spectacular environment here and our family is super blessed to be living here. The space and freedom in the backs of these mountain ranges are divine. It’s truly heaven on earth. It’s so incredible the amount of daily inspiration. The colours and relationships between my original work and these magnificent environments are next level. My son and I are super happy to create together where we live. We envision these concepts together using our imagination and the back drop of where we live as sources of inspiration. We imagine 1000 metre images against the back drop of these mountains. It’s stunning creativity. We chat about these things then come home and make art. 

Woodland A.I. Title: Spirits at play in the morning sun. 2026

This 3rd example here also turned out excellent. I really love this one as the original painting is in my son’s personal private collection. It’s based on our father and son relationship that we have, being playful with the air and water elementals. Having fun exploring our beautiful Mother Earth and enjoying the first light of the morning sun. Sagein and I go for major tours through these mountain ranges and know them better than families who have lived here for a 100 years or more. We cover hundreds and hundreds of kilometres around here. We always travel with supplies, extra gas, food snacks and water. Being prepared is a must out here. 

So I hope this gives you a better understanding and knowledge base of what’s actually involved when you see these images being created. It’s years of experience and artistic mastery being reflected in this new indigenous art genre. It’s layers of work being involved with the help of my team to clean these up and make them totally presentable and accessible. It is pure innovation being executed and explored in a way never before imagined. A whole new invention of creativity being expressed and shared here @ Jacobson native art. A legacy being built for my son and for future generations to come honouring the resilience of Anishanabe culture and the adaptability of our creative spirit..

Here’s a couple photos of my son and I enjoying our lifestyle deep in these Kootenay mountains. We are happy joyous and free and we look forward to sharing more creative discoveries with Woodland A.I. (Anishanabe intelligence). 

Miigwetch, Rainbow Thunderbird - MAJ 🌈🦅🌈

Enjoy these latest releases in my new indigenous art genre “Woodland A.I.” creating bold visual landscapes and cosmic environments

 

Woodland A.I. Title: Reflections of the nature spirit. 2026

Woodland A.I. Title: Wolf clan medicine - we welcome you. 2026 

Woodland A.I. Title: At night the animal spirits play. 2026

Good evening to everyone and thanks for continuing to share your appreciation and energy on all my various social media platforms. Woodland A.I. is growing by leaps and bounds and my new found direction as an artist has me deeply inspired these days. My heart and spirit feel really good about it and I’m definitely trailblazing a whole new creative framework in not only my work but the entire woodland art form itself. Merging my creativity with this technology has most certainly given me a whole new edge in making art. I absolutely love it. Obviously I’ll be making a whole new series of limited editions on stretched canvas and creating new collections as well. 

I’m feeling super happy with these 3 latest releases as showcased above. I’m thoroughly excited to bring into manifestation yet another new level with these creating stimulating environments for my original paintings to be embracing new landscapes and techniques in a fresh visual representation. Fascinating process for me and I’m quite grateful for this new opportunity in my work. To clean up and remaster these into new found visuals is profound. Brilliant. Transformative. New life being given to me. Super deadly energy. 

Any how I’m looking forward to sharing more new works and reframing a whole indigenous art style that has never before been done at this level. It’s a new invention that I am creating and I feel that I’m going to new realms and creative spheres that have never been explored like this, before. It’s a beautiful and unique space where I can attempt to make the most beautiful new and fresh take on the woodland school of art that the world has ever seen. Why? Because I can…

Miigwetch for now and more to come…Rainbow Thunderbird - MAJ 🌈🦅🌈

Enjoy this deadly track by Misstress Barbara. Track: Dance me to the end of love