Mark AnthonyJacobson native art: July 2026

YES, I PUT THIS TOGETHER…

STAY TUNED AS THERE WILL BE MUCH MORE COMING FORWARD REGARDING JUST HOW DEEPLY DECEPTIVE & COMPLICIT THE ESTATE OF NORVAL MORRISSEAU HAS BEEN IN ABUSING THE TRUST OF US FIRST NATIONS AND THE CANADIAN PUBLIC.

P.S: FUCK YOU to sex abuser and pimp Gabe Vadas, fuck you to white colonizer Cory “ding dong” dingle and a nice big fuck you to Jason “pedophile protector” Gratl. Scum of the earth. All 3 of you white colonizers…are pieces of 💩

Artist bio created by A.I.

New artist bio created in 3 seconds by A.I.... Mark Anthony Jacobson (Rainbow Thunderbird) is a renowned Anishinaabe (Ojibway) artist, author, and executive producer, proudly honoring his heritage through his work. Born to an Ojibway mother from the Eabametoong (Fort Hope First Nation) and a Swedish father, Jacobson has been creating art for over 38 years, selling his pieces since the age of 13. With a career spanning multiple decades, Jacobson has held over 30 exhibitions across Canada and internationally, solidifying his reputation as a master of the Woodland School of Art. His artistic expertise has led to numerous limited edition prints, collaborations with educational institutions, and the publication of his award-winning children's book, "Ojibway Clans - Animal Totems and Spirits." Jacobson's work is deeply rooted in his Anishinaabe culture and spirituality, drawing inspiration from the natural world and the wisdom of Mother Earth. His art is a testament to the rich heritage and resilience of the Anishinaabe people, and he continues to create with passion and dedication, honoring his ancestors and the land that nurtures him. Through his art, writing, and production work, Jacobson shares the beauty and spirit of his people with the world, keeping the traditions and stories of the Anishinaabe alive for future generations.

JACOBSON NATIVE ART GALLERY

Wednesday, July 1, 2026

The estate of Norval Morrisseau and the art and legacy of this pedophile is destroyed, riddled with historic sex crimes, art fraud and the lies and manipulation of the trust of First Nations and the Canadian public