Dealing with fraud and copyright violations of my work @ Jacobson native art

Good afternoon to each and everyone. These are indeed very difficult and challenging times that we are in.  With the discovery and recovery of our residential school children, this genocide of my people, the war with Russia and Ukraine, global warming, the pandemic, the list just goes on and on. These challenges effect us all in more ways than one. Yet the fight for truth must continue.

For years now I’ve been doing whatever I can to assist in fighting this fraud of our art. It started with standing up for the legacy of my friend in Norval Morrisseau. That has been a 17 year fight so far. Now my work is being stolen and taken advantage of by these criminals and not just here in Canada but worldwide. 

It has been a refreshing energy to have actual help and assistance with regard to these matters. The police are fucking useless and have offered absolutely zero help. In this day and age you have to hand them the case on a silver platter like I did with Morrisseau where you have done most of the work, being unpaid and using your own resources to even get them to help or assist. Even in that, they have provided me with no assistance.

So, I’m stuck either doing it myself or finding those who actually care enough to help. I belong to a group called “Fraudulent native art exposed”. It is a small team of dedicated and trusted souls who do work as I’ve listed above. I’m a part of this group. I continue to not only help defend my own interests and authenticity but indeed I’m still helping dozens of other native artists...including still, the art of Norval Morrisseau. 

This article is an overview of how to go about protecting your own art and copyrights. You have to become your own law and justice. Relying on others to get the job done will not suffice. One must take the lead themselves. You have to take action. I hope this piece of advice becomes useful to those who are suffering with these issues. It’s become quite a problem for many native artists across this god forsaken country called Canada. 

Have a safe weekend and thank you for your continued respect and support of all these efforts being done. All my relations, MAJ

Back in the flow and creating spiritual medicine for the world @ Jacobson native art

Good evening to each and everyone. Just a beautiful day and feeling like I’m making more sense out of this crazy and hostile world we all live in. I’m back in the studio making time for what I do best, my art. The fight has been real, honest and pure. I’ve had to take my time through this and put these pieces together regarding this living genocide and truth of discoveries concerning our residential school children. 

I’m simply happy today to be back painting. I have dozens and dozens of pieces on the go. It’s time to refocus myself and plan my next course of actions as I sit in the spiritual world channeling these images and stories putting them down on to the canvases. Recording the spirit and sacred teachings of my people, the great Anishanabe...

Enjoy this new track. I love high energy tribal beats when painting in the studio. This is Bantwanas feat. Khonaye - Amanz’Endlini

All my relations...MAJ

Fuck you Canada and fuck this Norval Morrisseau art fraud police investigation...

I’m not in a happy and loving place these days. I can rest my blame on Canada and their brutal murdering spree of destroying generations of lives with the discovery and recovery of our residential school children. I fuckin hate Canada. I despise the Catholic Church. I fuckin hate what you did to us, what your doing to me with these retraumatizing experiences that I feel each and every day. It’s a fuckin miracle that I haven’t picked up a drink. (Been 23 years now) I feel like destroying myself. But some how, some way, I must find a way through this. 

This Norval Morrisseau police investigation has been nothing but a continual let down of trust, patience, justice and truth. The old concepts of “to serve and protect” is a total fucking lie. All that really matters to these cops is their pay cheque. To follow orders as outlined in the Canadian colonial playbook. They have offered nothing in regards to support, updating information or courtesy contact. 

They don’t understand the real significance of this investigation and protection of our culture. How could they? They’re all white cops. What their concerned about is upholding their ass backwards colonial rule of law and receiving that pay cheque every 2 weeks on stolen Indian land albeit. The whole thing is one big gigantic shit show. I don’t have much faith in any of this. The people around Morrisseau especially. Mostly all concerned about the money part of this rather than anything truly resembling truth and reconciliation or the real protection of the authenticity of my culture.

Many Indians around this whole fiasco are to blame as well. Morrisseau’s own children and family. Vampires in reality feasting on the legacy after death by bastardizing the whole thing with selling fakes, making fakes and total prostitution of the copyrights. Absolutely disgusting and a national shame for First Nations and Canadians alike. And fuck them too. I feel no pity for that whatsoever. What a disgrace. 

After 17 + years regarding this investigation, I have little faith that the police investigation will make a significant impact. Sure they’ll nail most of the “black drybrush” fakes, (that’s because we’ve done most of the work) but I’m very suspicious of any real efforts with regard to the 10 plus waves of fake Morrisseau’s out there. And the current reality of the Norval Morrisseau estate?

A complete fucking joke. 

Sincerely,

MAJ

Maintaining some peace and serenity in this crazy and fucked up world we all live in

Truth be told, we have been very blessed for the most part since we left Vancouver in 2017 and moved out here to the Kootenay mountains. The timing of the birth of our son in Sagein which happened in Nelson BC on December the first, and making our rounds throughout the Kootenays has been a deeply fulfilling experience so far. Most people that we have met have been courteous, friendly, understanding and respectful. 

We have experienced some racism, discrimination and ugly bullies who have tried to flex their shit on us but we beat that vibe inside and out by praying and petitioning the great powers of the Universe on their behalf and on behalf of their entire family bloodlines. I call these types of prayers and requests “unfuckable”. Because they bring you immediate spiritual armour from their madness and other associated ‘spiritual sicknesses” that they don’t even know they carry and have.

It’s why I wear medicine and crystals and precious stones etc. Because these things protect me from getting hit. It’s an old Indian trick passed down from those super smart grandma’s and grandfathers in the spirit world. The ancestors. Look, I’m already a pretty fuckin wild cat as they say. Being out here in nature spirit like this each and every day for more than 5 years now has truly answered so many questions. I live in a very small community of 300 souls out here on the east shore of Kootenay lake. 

We are tucked away deep in these mountains. Quietly hidden from the rest of humanity while the entire world tries to recover from the Covid pandemic. We are super fortunate in this regard as well. We have become masters of self isolation and social distancing by Mother Nature’s very existence out here each and every day. All those who live here are pretty much on the same beam of light in this regard as well. It’s the one thing we all have in common living out here. That somewhere within us all out here, we can connect, learn and grow in the knowledge that we are all children of Mother Earth. 

All my relations, MAJ 

The reality is we are healing from genocide, colonialism and oppression here @ Jacobson native art

Below is data report on numbers of children murdered by Canada. March, 2022

Blessings to all my relations who are brave and strong enough to wake up to these facts of our genocide as First Nations people here on our land. The tragedy is absolutely horrifying and unbearable to feel and understand on so many levels. The unyielding madness of this genocidal operation in Canada and the force and control being exercised upon us is absolutely fucking pathetic. Killing our children and building your dreams on the backs of these murdered children is beyond gross, beyond any sense of humanity.

Yet the denial of these truths continues on in how this thing called Canada all came to be. It’s so fucked. What’s even more fucked is how white Canadian settlers think that this is a natural occurrence. Conquer and destroy is their motto. White pride being heralded as the great light upon humanity. Makes me wanna barf. Ignorance of their own history and campaigns of murder upon my people. I see it in the settler. Their black abyss looking eyes. Soulless and empty...in dire need of light and healing. 

Most of them Fuckin abusers and nothing more. 

To combat this “fuckedupness“ we paint, we create, we teach and share, we sing, we drum and we dance. That’s how we fight this blackness and sickness of Canada. Guilty of crimes against humanity, selfish oppression of my people and our culture and yet still, I’m thriving and am fully alive. Fuck you to all who think otherwise. I have you and your flag of shit completely beat and mastered each and every day that I’m alive. Not only that but so does my kid, my son. He’s 4 years old and I teach him every single day about these beautiful ways in which we have as Anishanabe. He will learn about the truth behind what has happened to our people from every generation since it’s beginning. He is a direct descendant of all these murdered residential school children.

He embodies their light by being the seed they couldn’t kill, that they couldn’t destroy. Like me, his father. We shed this darkness by actually practicing our culture each and every day. We give reverence and actual living proof of experience by acknowledging these children who were taken way too soon by a corrupt and murderous nation in Canada. I can laugh at the devil right in front of his ugly clown face.

And I don’t pity you at all. Your an embarrassment. It’s really the same shit being done by Russians towards the people of Ukraine. It’s just disguised a little differently. We First Nations are world leaders in unravelling the colonizer’s lies. That’s why they hate us so much. Because from every generation since then, we remind them of their crimes, of their hate, of their lies and deceptions, of just how corrupt their society truly is when being built as it has on the truth of what they did and continue to do. Which of course is murder, crimes against humanity, stealing our land and resources and continual and perpetual oppression of us to have your white settler/Canadian immigrant way of life. 

We are still in the discovery of the truth phase when it comes to this idea of truth and reconciliation....

All my relations, MAJ

In my world and reality: You wanna fuck around? You’ll find out

Poster credit above: Former apprentice John Zemanovich 
 

Good evening to each and everyone. Once again just a short message tonight about keeping things honest and absolutely fuckin crystal clear. With regards to the depths of this art fraud in Norval Morrisseau art and defrauding our culture and teachings the time is near for a great awakening. Many who were and are selling fakes? I’ve got your number and through a few of my proxies, we are definitely coming for all of you.

Make no mistake about it. There will be dozens and dozens of arrests. There will be recognition world wide on just how layered this fraud is. Your time in laughing all the way to the bank will be over. This fraud has affected not only Morrisseaus art market but all native artists who are trying to make a living at what they love most, the art and creating it. This fraud has stolen millions of dollars from all of us. The Canadian government has a role in helping to clean this up as another path towards truth and reconciliation. 

My expectations are massive. I’ve been involved in this investigation for over 17 years now. Morrisseau’s family and children will have to directly apologize to us First Nations and all Canadians alike for their involvement in these crimes. Same goes for all dealers who sold these fakes including those crooked bastards at kinsmen Robinson galleries in Toronto Ontario. This is really a white settler colonial sickness where these asswipes have tried to make these fakes real. The Ontario superior court will need to acknowledge their role in authenticating fakes through their rule of law and absolutely getting it wrong. 

There is a lot that has to be righted. I’m watching very closely. I’ll be focused on what the size and scope of this national police investigation brings to the table. I’ll be paying close attention to their details and results. The end is near...these fakes will be outlined and destroyed. Mark my words. All my relations, MAJ

The vibe tonight in the studio @ Jacobson native art

 

Keepin the vibe in the studio alive and well tonight as I’m busy prepping more canvases and mixing up a few new batches of colours. Major orders and commissions to fulfill. Enjoy this set. It’s masterfully done and takes you on an incredible journey of rhythms, beats and sounds. Electronica is magnificent...

Enjoy the set. Featuring Einmusik b2b Jonas Saalbach in Norway.  All my relations, MAJ 

Following the origins and history of these fake Morrisseau’s being sold through KRG and Maslak Mcleod

Good afternoon to each and everyone and it’s an honour to expose these fake Norval Morrisseau’s that have been fraudulently sold through Maslak Mcleod and Kinsmen Robinson galleries all throughout the late 80’s, 1990’s and into the 2000’s. These particular fakes which differ from the black dry brush but have their own class with regard to this particular wave. What I mean by that is that these are easily distinguishable between the other 10 plus waves that are currently circulating the Canadian art market.

These bastard fakes are a serious problem. They not only misrepresent the art of Norval Morrisseau, but they also misrepresent our teachings and culture. The stories and designs are a mismatch on several levels. The techniques and inlay work along with the compositions are usually imbalanced, crooked and off kilter.  

Pictured here: Front cover of a fake Norval Morrisseau sourced from: Maslak Mcleod 

Kinsmen Robinson gallery out of Yorkville in Toronto has a long history with these fakes. When researching the history of these shitty fake paintings it is highly noticeable how KRG has vouched for this garbage. Signing fake provenance, making up bullshit history with these useless examples. It’s a crime and these are acts of cultural genocide against my culture. This is a false narrative that needs to be exposed for what it is. I warned KRG a long time ago that these fakes would have to be dealt with. Now is that time. The integrity of my culture depends on it. 

Above: Another example of a fake Morrisseau 

Above image: Yet another example of a fake Morrisseau

This is a screen capture of KRG’s denial of these truths.The above painting was proven to be fraudulent. A former apprentice in John Zemanovich who attended a show at McMicheal gallery seen where this example was stolen from on an actual authentic Norval Morrisseau painting at this exhibition. After this discovery, Kinsmen Robinson gallery immediately took down this post verifying our suspicions right away. It was not only a victory for us but more importantly for the truth of Anishanabe culture and the art of Norval Morrisseau. 

Pictured here: Fake Morrisseau titled: Lily of the Mohawk sold through you guessed it, KRG

I have been actively fighting this fraud for over 17 years now. It’s a major chunk of my time. The levels of utter bullshit and lies that Ive had to deal with is unprecedented for me as a leading First Nations Anishanabe artist. I am the only native artist who has continued to fight and who has risked my entire reputation as the direct result. Many other native artists are either too scared or simply dont really care. It’s so crazy how many people profess their love for Norval and his art but when it comes to taking any real action? Fuck all. It’s quite sad how people are worried about their money when it comes to taking on this fight. And at the end of the day, that’s really what this whole thing has been about. Making money and protecting their money. Not the culture, not the art.

This is Phil Cote. He’s a fuckin douche bag in my books. I don’t trust him and I don’t like him. I was warned about him by a few other native artists in Toronto Ontario quite a while back. I have suspected him along with a few others who are in the know about just how deep and grave this fraud of Norval Morrisseau art truly is. Phil is one who has deep roots with Maslak Mcleod back in the late 1980’s and 1990’s. He wasn’t known for woodland art at the time as he was sourcing his Inuit carvings through Maslak back then. But make no mistake about it. This guy is a master artist. Here’s an example of what he can do besides woodland style art:

It’s when I look at his woodland art examples that I begin to notice so many comparisons to these fakes which were sourced through Kinsmen Robinson gallery and their counterpart in Yorkville at Maslak Mcleod. All of these time periods fall right into place and the synchronicity of it all begs one to question this reality. I shared these findings and conclusions with the current national police investigation. I confronted this asshole twice, about it. I know that more will be revealed but I can only do so much to try and protect the authenticity of my culture. 

This is a mural by Phil Cote. Compare his inlay work, style of human figures, detailing with these fake Morrisseau’s and it’s very strange how similar everything is. I cannot find any other woodland style painter except for Phil who matches so closely. For me I can see so many similarities between them. An artist always gives himself away when it comes to their particular style and tricks that they use. I have a masters eye so I can see it. Better than any academic and most certainly better than any police investigation. They simply don’t know and thus cannot see it the way I do. This has been one of the major reasons why I have a very difficult time trusting the size and scope of this investigation. It has already been shown that the Canadian rule of law tried to make those fake black dry brush paintings real in Ontario superior court. 

Above picture is another example of Phil Cote and his art

Here is another example of how Phil Cote assembles his woodland art and techniques

Indeed the similarities are so striking and the fact that no other woodland style painter fits this comparison makes it very challenging to think otherwise. I must continue to shed all the light I can on such controversy. The integrity of my culture depends on it for future generations and as someone who is willing to speak up and speak out, I must. As a First Nations soul who is healing from genocide and being a 60’s scoop survivor, these findings must be shared. I will not let my suspicions go unchecked. This national police investigation has an obligation to investigate all leads and pursue all waves of these fakes and those suspected. Otherwise it will be an incomplete investigation. 

Again it is fakes like the last example shown above that need to be identified, singled out for what they are and finally destroyed. They are fake paintings. This is not the art of Norval Morrisseau. They are abominations. They are a form of misrepresentation of Anishanabe culture and they are fraudulent examples of a continued cultural genocide that is happening for all First Nations across Canada and beyond. 

All my relations....MAJ 

The problem with “pop culture” being represented in the native art forms

Good evening to each and everyone and thank you for always being loyal and supportive over here @ Jacobson native art. I feel like it’s certainly time to address this new wave of pop culture shit and ideas and this influence that is happening in small pockets of our woodland school and First Nations art in general. This small and weak movement is quite troubling and I’ll go into my exact reasons as to why.

First of all it’s a distorted message and one that does not fulfill the authenticity of our culture and art. The levels of plagiarism, theft of concepts, copyright violations, stealing ideas, ripping off artists and bastardizing the art forms with this mixing and mashing of concepts sends a message of a colonial mind set. At the base of these is a warping of our traditional culture, stories and art. It is essentially mis-information. It is a false spirit being Introduced into the mainstream of a colonized mind set of yet another generation. 

I look at this stuff popping up on social media and think to myself? Holy fuckin shit...is this ever ugly. Not only that but it’s a fake spirit, a false narrative. The problem is on both sides of this coin really, both their audience and the art itself. It’s understandable that this society has been bamboozled. Colonization is the culprit and really is the brainchild of this brain fart of pop culture shit being indoctrinated into our art, into our culture then on to the mainstream. At the base of that is no culture, no true identity. A generation of lost children still being hypnotized by the television and the Internet. 

Runway Model and reference: How spirit world sees this shit

Of course the institutions of colonialism absolutely love this shit. They are certainly behind the driving force of supporting anything and everything that tries to blend the two together, thus muddying the waters between the clarity and authenticity of our culture, of who we are as Anishanabe. Take for example this poor rendition of throwing the Simpson's into the mix and adding woodland art and sacred motifs of our Thunderbird teachings into this. It’s gross, it insults my indian name and my ties to Thunderbird medicine. It is disrespectful to the animal clan teachings. The ceremonies that are performed around the art and spirit of what it means to be Anishanabe. When I go out into the Bush, the mountains and rivers I don’t see any of this out there. 

Mother Nature in her wisdom and power doesn’t confuse me with this regurgitated garbage. I see real animals out there, I connect with the real forces of creation. There are sacred teachings that come with our animal clans and their roles in Anishanabe life. You learn that by getting involved in the ceremonies, the teachings and finding those who can connect you to this wealth of power and true spiritual force. Not the television, not Facebook, not instagram, not tik tok and not the Internet. That is not our way. Those are not our teachings. That is what a colonial mind set does. That is what colonial sickness spreads. A watered down and misinformed version of who we are as Anishanabe. 

It’s a backwards energy and misinformed spirit. It’s just another form of artistic prostitution. And that’s the sad part. That these kids are being lied to through social media platforms and the whole desire to express, connect and become the next sensation because your attention starved and in need of being loved on Instagram, tiktok and whatever else that gives a false sense of identity. 

I will leave you with this last thought on this and explain as to why it’s a false spirit and narrative. Here we have Betty White being adorned in our woodland art form. A funny and cute old white lady who was a pop culture icon to some. Ok, give her some shine and create a conversation I suppose with this design. I know the artist who made this didn't do his research. And this is why you have to be careful. Watch this video of Betty white and Sandra Bullock culturally appropriate our cultural integrity. Watch them make fun of who we are as First Nations. It’s disgusting, artists like Blake and the rest of these plagiarizing prostitutes need to stop. You are hurting our culture and teachings with this shit...stop spreading this false narrative and fake spirit. Enough is enough. All my relations, MAJ

VIDEO LINK: 

Exposing the hidden truth between the freedom convoy and that pimp of a Prime minister

 Good afternoon to each and everyone today. It’s been a wild ride watching this “Freedom convoy” and this cause and effect process that is unfolding. From an indigenous lense it gives me a perspective that I’m very familiar with as a First Nations soul. I hear the term “occupier” and I think to myself, hmmmmm, I know exactly what that looks like. They were being first identified as peaceful protestors, ordinary Canadians seeking to stand up for their “rights and freedoms” within the framework of the Canadian constitution. 

Right.

Three weeks later and now Canadian citizens who are involved with this trucker convoy are now being labeled “terrorists”. By your own elected officials and government. The clowns in whom you, Canada, have voted on to run this continued occupation on our lands, on our backs as First Nations. The fuckin irony is absolutely mind bending. Now this douche bag of a prime minister has put in to place, the war measures act, the Canadian emergency act against its own citizens in whom you as a voter, put into power. Absolutely fuckin crazy if you ask me. Your whole system is geared to fuck you in the end. That’s Canada. A colonized state built on oppression, murder, land theft, resource theft, force and control. 

It’s perverse how the “rule of law” operates on our land as Anishanabe. To witness how Canada not only portrays First Nations and our rights and freedoms, but now Canadians are getting an inside point of view on how their elected leaders operate once in power. You are now seeing it for yourselves Canada. It reminds me of what a scam this whole empire of darkness truly is. I’ve known it for quite some time now in the discovery of my own process of decolonization. It’s the same shit being regurgitated to you Canadians. Only on a softer level but the reality is welcome to getting fucked by your so-called country. Oh Canada, your homes on stolen land....false patriot love....yada yada yada. 

This scam of a leader you have elected in your bullshitter prime minister shows what a coward nation you have adopted in regards to the laws and policies that have been put into place. All created by the colonizer.  The ruling power as that old fuck nut in Justin’s daddy in Pierre was known to say. Fuck him and his pathetic legacy as well. A long line of douche bags, liars, land and resource thieves. Building your white colonizer dreams on the backs of our murdered residential school children.

Fuck you Canada. And fuck you to the entire establishment. Fuck this bastard government and fuck all your institutions. It’s the people who have the power. But most Canadians have forgotten that. I mean, most Canadians don’t even know what the fuck actually took place here in how this whole thing was acquired. Murdering little innocent children. Raping our women and murdering them. Doing everything in its power as a nation to destroy us First Nations. Dont be fooled by your Canadian media trying to paint some fucked up picture of truth and reconciliation. They dont know how. That’s been the whole problem  because  that means completely changing up the entire plan and program. Reparations is what I’m talking about. At this stage, some 500 years later, Canada is so weak that they still can’t bring themselves as a so-called nation to right these layers and layers of wrongs. 

So now your rights and freedoms mean nothing and if you stand up for truth this country will send out their colonized goon squads after you to “enforce” this scam of a white settlers rule of law being misused and misrepresented on stolen Indian land. Now they’ll go after your instincts for feeling safe and secure, they will attack your businesses, go after your money, all of your assets and then paint you as a terrorist. And all you wanted was your rights and freedoms to be protected, to be honoured.....right. 

 Welcome to just a small little glimpse of our world. What we as First Nations have had to endure for centuries. That indeed you can now see what the term “occupier”  really means. Your government isn’t here to protect Canadians....lol. For fuck sakes eh. See it? They are instructed to enforce and control you. To use any means necessary to execute this delusion to the max. 

As a sovereign Anishanabe soul I am somewhat happy to witness this go down the way it is. By Canada electing to enact this emergencies act and to enforce and control this situation by stripping away your rights and freedoms says everything that I’ve been saying. It’s so bizarre and so perverse. The contradictions and double standards are overwhelming. The status quo huh?....right. Proud to be a Canadian are ya? Right. I mean the one good thing Ive seen in this whole mess is that some of these war veterans can see it. They are seeing what kind of tyranny is taking shape and has been with their government. Dying for a flag that in the end, will betray you, will abandon you, will rob you and disempower you inside and out. Welcome to your Canada. A nation built on the murder and continual oppression of my people, the great Anishanabe. All my relations, MAJ 

The only 2 souls who remained loyal to me throughout my investigations into the Norval Morrisseau art fraud

Good morning and it’s a great day to start it off with some gratitude and appreciation for 2 amazing guys that I not only had the honour to become friends with, but remained loyal to me throughout the whole experience of this Norval Morrisseau art fraud investigation. The movie there are no fakes really brought about some negativity but it didn’t jeopardize these 2 friendships. I’m super grateful for that. With my bro in Dallas Thompson pictured here, this guy is perhaps the most incredible warrior I have ever met in all my travels in life. He was the key to opening up all these doors regarding this investigation. 

When he disclosed to me what was going on in Thunder Bay with what took place at Gary Lamont’s, it was the most devastating truth that was being uncovered by my brother. The nights he would call me at 2 am in the morning, talking to 5 am about all the events that took place was utterly fuckin soul crushing. I would listen to him break down the events that happened to him and we would both cry. The amount of pain and suffering that was endured would take super human strength to deal with, day in and day out. It’s one of the main reasons why I look up to this guy. Not only did he become the first one to opening the door to charging and getting Gary lamont arrested with 23 counts of sexual assault, forcible confinement, death threats, assault with a weapon etc, he also opened the door for us to work with the other survivors. 

This was the real team effort. You have to remember that before these crucial moves that took place, the RCMP, the other police forces, the Norval Morrisseau estate, academia including the lawyer Jonathan Sommer, they had nothing. They were all being beat by the lies being believed in Ontario superior court. The Canadian rule of law had made these fake paintings, real. This is obviously another reason as to why I have little faith in the rule of law. As an indian in Canada, the way they bend and twist it to serve their own needs is fucked up and seriously discouraging. So I did what my ancestors inspired me to do and that’s go forward in this whole mess with indian law, our cultural laws and teachings.

It was status Indians who brought light to the severity of these atrocities first. The serial rapist in Gary Lamont needed to be stopped. It had way more fuckin priority than the fraud. That’s what nobody could figure out including the police. They knew some things but couldn’t find a way to get their man in Lamont. We did that. Dallas Thompson and I. There was no Norval Morrisseau estate there. There were no OPP officers there. No Ontario superior court, No detectives. no academics, no NMHS, No KRG, no Ritchie Sinclair, no John Zemanovich, no Jonathan Sommer, no Coghlan art....not one of them. It took the courage and determination of both Dallas and I to get the ball rolling. From here, everything and everyone got to jump on board. Make no mistake about that. These are the facts. Even though many have tried to control this narrative and spin it in their favour. This is the reality. 

This guy here is Kevin Hearn. He too saw this thing all the way through. He never betrayed me or turned his back on me, even today. The amount of appreciation and respect I have for him is phenomenal. He stood up to these fraud bastards as well and committed to the process of uncovering, discovering and recovering justice. Not only for Norval Morrisseau’s legacy, but more importantly, for our friend in Dallas. For me, he’s also a hero like Dallas. What Kevin was able to contribute in regards to support, dedication, faith and trust, belief in us, and unwavering resolve is simply amazing. 

He is a true soul. He never abandoned Dallas and I. He has stayed the course even now. Like his friend in Gord Downie of the Tragically Hip, they have learned the secret path. The door that opens to us and our world. As hard as that is for some to enter, Kevin Hearn is a true spirit, a genuine human being who cared enough to help set this record straight.  For Canadians and First Nations alike so that hopefully we can continue on this path, the path to truth and reconciliation. More to come and more to be revealed, Im certainly not done with many of you yet. With respect and appreciation...all my relations, MAJ

The house of Jacobson - Honouring the life and death of my father and sister

 Just reflecting tonight here in the studio on two of the most important souls of my family who have left this world. It would’ve been by dad’s birthday so happy birthday to you and sending love to my forever adored sister in Angie Jacobson. Mother to 2 beautiful souls...any how, I love you always and forever. 

This is for you both. From me to you in the spirit world: 

Exposing the lies of the Norval Morrisseau estate part: 3 (The fraud behind the fraud)

 Picking up from where we left off with regards to exposing the crimes, lies and bullshit of the Norval Morrisseau estate we are going to enter new territory surrounding this whole empire of darkness. So, here it is for the first time being exposed publicly is an actual photo of Gabe Vadas working on and painting Norval Morrisseau art. This big fat secret has been incubating in the Canadian art scene for years. Nobody really knew how involved both Gabe and Michelle were as Morrisseau’s “caregivers” but here is the true reality. 

I suspected early on that there was way more to: “more than meets the eye” with these two. For one thing they most certainly underestimated me and my level of knowledge and understanding. I’m sure they’ll try to spin it as....”every great artist has apprentices” and helpers. True, but not all apprentices and helpers are suspected of finishing off hundreds and hundreds of paintings. Putting into question not only who actually painted these things but more importantly the validity of authenticity concerning the majority of most of these works being created throughout the 1990’s and 2000’s.  

Ever since I got involved with my investigations regarding this fraud and studying Morrisseau and his techniques and applications I could notice a dramatic shift in the actual style of his works in the 1990’s especially. The forms changed, the work became more childish rather than childlike. The people forms had shifted into little mini “Elvis looking Indians” with sideburns and all. Way less detailing and inlay work. Very novice like. Yes Norval was suffering from Parkinson’s at the time, yes he suffered miserably with that stroke. It took the majority of his skills away. Thus the need for extra more reliable and sturdy hands. 

Never once have they ever come out publicly to announce these truths. Never once have they ever admitted to being Norval Morrisseau’s artistic apprentices. But here it is. You have to ask yourself why all the secrecy? Why keep this hidden from the public? I’ll tell you why: MONEY. That is the underlying reason why. It would be much more difficult to actually get the Canadian art buying public to spend thousands of dollars on this art if it was known that they were being primarily created and manufactured by you guessed it? White settlers. Lol. Precisely why they needed to keep quiet about this. Imagine that huh? Spending thousands and thousands of dollars on a Morrisseau sourced painting being sold through you guessed it? Norvals primary dealer in Kinsmen Robinson gallery out of Toronto Ont. All throughout the 1990’s and 2000’s, hundreds of works of art. Never once stating that many of these paintings being worked on and finished by both Gabe and Michelle Vadas of the Norval Morrisseau estate. 

With Norval being as sick as he was back then, the tremors and shakes were getting too difficult for the master to paint. He needed reliable helpers each and everyday and he had them in Gabe and Michelle. It’s the pink elephant in the room. The shit that got swept underneath the carpet. The real truth that has escaped the world of Norval Morrisseau art. I also have to say that I’ve seen them with my own eyes being very capable artists in their own right. Upon my visits to Nanaimo I would hang out and stay the weekend many times during my visits. They got so comfortable with me that they wanted to impress me. On two separate occasions I watched Gabe draw out a Thunderbird design on a drum in 15 seconds. The drawing was well balanced, a bit immature in design but effective. It could pass the eyes of everyone at KRG. On another occasion it was Michelle’s turn to show me what she could do. She did an amazing drawing on paper of Norval Morrisseau art within 20 minutes. I was impressed. That they could draw and sketch out these designs just like Norval. 

You have to have a masters eye to see it, to put it all together. Couple that with my experience in seeing them actually produce the artform out of thin air like that gave me all the insight I needed to form this perspective. Because none of them including those dysfunctional liars over at KRG who couldn’t authenticate the difference between a plastic bag and a paper one, this gives credence to the reality that all those paintings being sourced from Kinsmen Robinson galleries all throughout the 1990’s and 2000’s are suspect of being executed by white settlers. A young art student working at an art supply store in Michelle and the gay street kid from Hungary Europe. in Gabor Vadas. 

As a concerned consumer who is spending in the tens of thousands of dollars and in some cases like Westerkirk works of art, (spending millions) you bet I’d want to know pertinent information like that. I would want to know all those details so that I could make a better and more Informed decision on my investments. This is a major problem in the art world, to be truthful, it is a world of rattlesnakes, tap dancers and chronic bullshitters....mostly. For me, I truly believe that this is the main reason why they have been hiding in the darkness. Afraid of the discovery of the truth that lays in their hearts each and every day. It’s the fraud behind the fraud and as a First Nations soul who is really the gatekeeper of truth in our woodland school of art, these white settlers need to pipe up and tell the truth. 

Don’t be afraid to expose your truth around this. I seen it with my own eyes. And now so has the world.  You need to be responsible and shed the light on this for future generations. So that they know what is authentic Anishanabe art and what was created by white settlers. You owe this to our children...you owe it to tell the truth. To set the record straight. 

All my relations,  MAJ